![]() ![]() " Battle of the Mountain " plays during Cultist battles in Oblivion's Ingresses and Ramparts, and is a thunderous, intense and percussion-heavy track that really sells the danger that the Cultists pose as Elite Mooks, especially the part with the rising melody."The Shroud of the Deep" is a bombastic and nautical theme with a whimsical, lilting melody that inspires courage to conquer the Fisherfolk of the Shroud, and listening to it just might make fighting The Leviathan worth it."Foetor Combat" is an imposing, dangerous theme which sets the player on edge and makes them feel vaguely uneasy, perfectly accentuating battles with the Plague Eaters in the Scenery Gorn that is the Foetor. ![]() It's a constantly rising and falling theme that rapidly shifts in intensity, mimicking the flickering and slow but steady growth of a great flame. " Sprawl Battle " perfectly exemplifies the chaotic city-wide conflagration that is the Sprawl, and the Pyromaniac Fanatics who dwell there. ![]() "The Winding Valley", the song which plays during the hero selection at the Crossroads and occasionally during travel, is a somber yet uplifting track which somehow both emboldens conviction and fosters cynicism at the same time.The score for " The Howling End ": it starts out as an ominous, bleak tune fitting for the Lovecraftian apocalypse the Ancestor unleashed on the world, but as the Academic monologues about hope and courage, it shifts to a dramatic rendition of the first game's main theme, capped off with a bombastic sting at the end.It also has more realistic body proportions, retroactively making characters from the first game look like Super-Deformed chibis. The change in artstyle, as well as the 3D models, improves this atmosphere even farther, making it even more artistically rich than the original. Awesome Art: Just like the first game, this entry makes amazing use of shading and muted colors to create a beautifully dark atmosphere. ![]()
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